Week 6: How to Play Jazz Piano (without chord roots!)

This week was all about rootless voicings on the piano.  I carried on with my work on ‘Misty’ from last week and tried a different style of comping.  I originally planned on introducing another song this week, but I found the rootless voicings to be challenging and require more time.  I tried figuring out the voicings in my head at the piano, but it was too much to think about. So I decided to break it down by going back to the theory basics and writing out each chord, determining the root, 3rd, 5th, 7th, 9th and 13th.  Then, I wrote out the chords transitions so that there would be nice voice leading and common tones between the chords.

A side note about voice leading: I studied a lot of Bach chorales in my first and second year of music school, with the goal of understanding proper voice leading. There are lots of “rules” with voice leading, but they help with problems like:

“smoothness, independence and integrity or melodic lines, tonal fusion (the preference for simultaneous notes to form a consonant unity), variety, motion (towards a goal)” – Open Music Theory

Open Music Theory is an open source textbook (open educational resource). Cool!

In short, good voice leading makes music sound pleasing to the human ear! I really like the end result of my progress this week:

What I worked on:

  • continued with “Misty” – added a separate recording of the bass line in the left hand so I could comp using rootless voicings
  • rootless chord voicings – figuring out which notes to play and using good voice leading

Wins:

  • Starting to incorporate good voice leading
  • Overlaying multiple videos in my vlog

Fails:

  • I had to write out the chords this week (instead of figuring out the chords in my head). Although not my original plan, it allowed me to really understand the theoretical sides of rootless chords and good voice leading.

Resources Used:

Next week I am going to begin my final piece as part of my learning project. I am looking forward to learning my favourite jazz standard, “Autumn Leaves”.

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